Abandoned Armenian Textile Factory Becomes Haven for Artists and Emigres Amid Global Turmoil

Introduction: An abandoned textile factory in Armenia has been transformed into a haven for artists and emigres whose lives have been upended by conflict, political turmoil, or economic challenges. The former Soviet-era knitwear factory, now named “Abastan,” serves as a creative space for painters, puppet-makers, photographers, and more. This innovative project is contributing to the revitalization of a declining town and fostering international connections.

Abastan: A Creative Sanctuary: Launched in 2022, the Abastan project has breathed new life into the northern Armenian town of Tumanyan. Abandoned workshops that once produced Soviet knitwear have been repurposed into studios and spaces for artists and participants from around the world. The project’s name, “Abastan,” translates to “shelter” in Armenian, symbolizing its role as a refuge for those seeking solace and creative expression.

Building Connections: Initially, locals in Tumanyan were curious about the presence of strangers in their town. Polina Ivanova, a co-founder of Abastan, explained that understanding and acceptance gradually developed through public events, personal relationships, and shared experiences. This creative space encourages connections and cultural exchange among participants and the local community.

An Oasis of Freedom: Participants from countries such as Iran, Russia, and Ukraine have found a sense of freedom and a welcoming atmosphere at Abastan. Arghavan Majd, a painter from Iran, noted that the environment felt “more free” and facilitated personal connections. Others, like puppet maker Torfeh Ekhlasi, left their home countries due to the overwhelming impact of negative news and found solace in the vibrant community at Abastan.

Escaping Political Pressures: Some residents at Abastan, including a software engineer from Russia named Danil, left their home countries in response to political developments. Daniel cited disagreements with Russia’s political agenda and concerns about safety as reasons for his departure. Abastan provides a refuge for those seeking an escape from political pressures and a space to pursue their creative passions.

Charitable Support: Abastan operates as a charity, with funding from an anonymous American-Armenian philanthropist. The project attracts a diverse group of residents, including individuals relying on savings, financial support from relatives, or income generated from their art. While some residents sell their artwork or work online, others face financial challenges, such as payment disruptions caused by remote work arrangements.

Positive Impact on the Community: The arts venture at Abastan has brought joy to Tumanyan, a town that has grappled with factory closures, unemployment, and emigration since the dissolution of the Soviet Union in the 1990s. Residents appreciate the cultural vibrancy and the sense of renewal that Abastan has brought to their community. Amidst global challenges, this creative haven serves as a source of hope, connection, and inspiration.

Conclusion: Abandoned factories like Abastan, repurposed into creative spaces, offer refuge and inspiration to individuals affected by war, political turmoil, or economic hardship. These initiatives not only provide opportunities for artistic expression but also contribute to the revitalization of declining communities, fostering connections between locals and newcomers.